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		<title>Style of Negation</title>
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		<title></title>
		<link>http://styleofnegation.wordpress.com/2007/07/29/16/</link>
		<comments>http://styleofnegation.wordpress.com/2007/07/29/16/#comments</comments>
		<pubDate>Sun, 29 Jul 2007 19:54:54 +0000</pubDate>
		<dc:creator>doublegenitive</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[A correspondent, whose pop musical references never fail, submits the following video as a visual aid for the post below. His caption: where plaque tournante meets the scratch. I couldn&#8217;t have said it better myself<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=styleofnegation.wordpress.com&amp;blog=1245069&amp;post=16&amp;subd=styleofnegation&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">doublegenitive</media:title>
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		<item>
		<title>The Turntable and the Museum</title>
		<link>http://styleofnegation.wordpress.com/2007/07/26/the-turntable-and-the-museum/</link>
		<comments>http://styleofnegation.wordpress.com/2007/07/26/the-turntable-and-the-museum/#comments</comments>
		<pubDate>Thu, 26 Jul 2007 18:02:25 +0000</pubDate>
		<dc:creator>doublegenitive</dc:creator>
				<category><![CDATA[Adorno]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[Debord]]></category>
		<category><![CDATA[felix schramm]]></category>
		<category><![CDATA[gordon matta-clark]]></category>
		<category><![CDATA[museums]]></category>
		<category><![CDATA[Perry Anderson]]></category>
		<category><![CDATA[postmodernity]]></category>
		<category><![CDATA[spectacle]]></category>
		<category><![CDATA[the cut]]></category>

		<guid isPermaLink="false">http://styleofnegation.wordpress.com/2007/07/26/the-turntable-and-the-museum/</guid>
		<description><![CDATA[Continuing to worry various genealogies of art and writing after WWII. . . Perhaps a good example of the backstory to Anderson’s backstory of postmodernism would be the sculpture, or archi-sculpture, of Felix Schramm, who currently has a show up at the San Francisco MoMA. It’s impossible to look at Schramm’s installation and not think [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=styleofnegation.wordpress.com&amp;blog=1245069&amp;post=15&amp;subd=styleofnegation&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">doublegenitive</media:title>
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		<media:content url="http://www.sfmoma.org/images/ma/exhib_detail/schramm.jpg" medium="image">
			<media:title type="html">Misfit 2005/2006</media:title>
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			<media:title type="html">House 1992</media:title>
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			<media:title type="html">House 1992</media:title>
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			<media:title type="html">Conical Intersect, 1975</media:title>
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			<media:title type="html">Office Baroque, 1977</media:title>
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			<media:title type="html">Evasion V</media:title>
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			<media:title type="html">The Naked City, 1957</media:title>
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		<title>The Political Character of Postmodernism</title>
		<link>http://styleofnegation.wordpress.com/2007/07/16/the-political-character-of-postmodernism/</link>
		<comments>http://styleofnegation.wordpress.com/2007/07/16/the-political-character-of-postmodernism/#comments</comments>
		<pubDate>Mon, 16 Jul 2007 02:22:59 +0000</pubDate>
		<dc:creator>doublegenitive</dc:creator>
				<category><![CDATA[Debord]]></category>
		<category><![CDATA[Fredric Jameson]]></category>
		<category><![CDATA[Perry Anderson]]></category>
		<category><![CDATA[postmodernity]]></category>
		<category><![CDATA[SI]]></category>
		<category><![CDATA[T.J. Clark]]></category>

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		<description><![CDATA[In his remarkable history of postmodernism, The Origins of Postmodernity, Perry Anderson describes “the idea of the postmodern” at the time of Jameson’s arrival (Anderson’s book is also a study of Jameson) to the debate as “an appanage of the right,” a cultural and philosophical phenomenon in which crypto-reactionary and crypto-liberal ideologies masqueraded as progressive. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=styleofnegation.wordpress.com&amp;blog=1245069&amp;post=11&amp;subd=styleofnegation&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">doublegenitive</media:title>
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		<title>La vie quotidienne, in quotes</title>
		<link>http://styleofnegation.wordpress.com/2007/06/24/la-vie-quotidienne-in-quotes/</link>
		<comments>http://styleofnegation.wordpress.com/2007/06/24/la-vie-quotidienne-in-quotes/#comments</comments>
		<pubDate>Sun, 24 Jun 2007 17:12:59 +0000</pubDate>
		<dc:creator>doublegenitive</dc:creator>
				<category><![CDATA[Bernadette Mayer]]></category>
		<category><![CDATA[Lefebvre]]></category>
		<category><![CDATA[SI]]></category>
		<category><![CDATA[Vito Acconci]]></category>

		<guid isPermaLink="false">http://styleofnegation.wordpress.com/2007/06/24/la-vie-quotidienne-in-quotes/</guid>
		<description><![CDATA[I’ve been reading the second volume of Lefebvre’s Critique of Everyday Life, aspects of which are in explicit dialogue with various SI writings and, in particular, Debord. As with the Italian material in my last post, it’s difficult to know whose ideas came first or whether or there isn’t a common intertext that does not [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=styleofnegation.wordpress.com&amp;blog=1245069&amp;post=9&amp;subd=styleofnegation&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">doublegenitive</media:title>
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			<media:title type="html">Vito Acconci. Blinks, Nov 23,1969; afternoon. Photo-Piece, Greenwich Street, NYC; Kodak Instamatic 124, b/w film</media:title>
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		<title>Spectacle and the Public Sphere</title>
		<link>http://styleofnegation.wordpress.com/2007/06/16/spectacle-and-the-public-sphere/</link>
		<comments>http://styleofnegation.wordpress.com/2007/06/16/spectacle-and-the-public-sphere/#comments</comments>
		<pubDate>Sat, 16 Jun 2007 05:01:21 +0000</pubDate>
		<dc:creator>doublegenitive</dc:creator>
				<category><![CDATA[Agamben]]></category>
		<category><![CDATA[Michael Warner]]></category>
		<category><![CDATA[Paolo Virno]]></category>
		<category><![CDATA[public sphere]]></category>
		<category><![CDATA[spectacle]]></category>

		<guid isPermaLink="false">http://styleofnegation.wordpress.com/2007/06/16/spectacle-and-the-public-sphere/</guid>
		<description><![CDATA[&#160; Part I What can we say about Giorgio Agamben&#8217;s ontological account of spectacle in Means without Ends? I&#8217;m referring particularly to his &#8220;Marginal Notes on Commentaries on Society of the Spectacle,&#8221; although traces of his engagement appear in other parts of this book, particularly in the essays &#8220;Notes on Gesture&#8221; and &#8220;Notes on Politics.&#8221; [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=styleofnegation.wordpress.com&amp;blog=1245069&amp;post=3&amp;subd=styleofnegation&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">doublegenitive</media:title>
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